The Winchester Writers’ Festival – An Introduction By Judith Heneghan

This is my third year as Director of the Winchester Writers’ Festival. I’m still finding my way, of course, but I am beginning to recognise certain patterns in the yearly cycle: that first bubble of excitement mixed with nerves when the programme goes ‘live’; the anticipation that builds as the third weekend in June approaches; the occasional nightmare about ‘leaves on the line’ that prevent everyone from arriving…

These days, people talk about ‘curating’ an event, but I don’t think I’m that precise. How do you pull together a series of all-day courses and workshops, talks, readings and over 700 one-to-one appointments in a way that allows each individual attendee – writers, all – to have a fulfilling experience? My approach is more instinctive than curatorial. We need to cater for a broad range of genres, forms, levels of expertise, but above all else I look for literary agents, commissioning editors, authors, poets, scriptwriters and teachers who will support, guide and nurture each emerging writer.

This doesn’t mean massaging peoples’ egos and saying their work is wonderful when clearly they need to re-think. Our speakers are there to challenge, critique, encourage, stimulate and inspire. This is the stuff that sustains writers. It is also why I am particularly excited about our Keynote Speaker this year.

Meg Rosoff is, of course, an outstanding and critically acclaimed author of books for young people (including my personal favourite – Just In Case – in which she confronts, brilliantly, just about every so-called writing ‘rule’ and laughs in its face). But being a uniquely gifted novelist is merely one reason why I invited her. I have been lucky enough to hear her speak before, at the University, to a small group of our own MA creative writing students. She threw away my plan for the evening and instead spoke about voice – the writer’s voice. I think we all ended the session a little bit changed.

I am not going to presume to pre-empt her Keynote address. However, I can tell you it is titled ‘What it means to have a voice and where to get one’. And I can’t wait.

The University of Winchester Writers’ Festival takes place on 17-19 June at the University of Winchester. Attendees can book to come for one, two or three days and devise their own itinerary from a selection of 17 all-day workshops and 28 talks. They may also book up to four one-to-one appointments with literary agents, commissioning editors and other writing professionals.

For full details, visit www.writersfestival.co.uk Follow us @winwritersfest


Post by Judith Heneghan

Litmus 2016 Cover Reveal

litmus 2016 cover  litmus back cover FINAL

The team at Litmus are proud to finally be able to present to you the finalised cover of this year’s anthology, which will be launched on 3rd May 2016. The editorial team have been hard at work, and the full selection of children’s fiction, adult fiction, poetry, and non-fiction has now been edited to perfection, and is ready to go to print.

Everyone on the team is excited for the launch, and we hope you’ll love it as much as we do.


Lorna author icon post by Lorna Penny

 

Writing With Your Voice

Some people are quick typists. Thoughts flow effortlessly through fingers into words on the page. Others of us are not so lucky. Of course, you can always capture your flow of consciousness with pen and paper but then the process of getting it into digital format is even more tedious, having had much of the creativity stripped from it.

You can buy good quality voice recognition software for a tidy sum of money and train it to recognise your voice. The trouble is, if you are a writer you probably do not have a tidy sum of money to spend on such fripperies…

That is where the glory of free software comes in. It will not be as fully featured and you will not be able to personalize it so much but it will achieve similar accuracy. It will save you a lot of typing; however you will need to be more alert for editing. Your problem will not be mis­spelled words but misinterpreted words. This can result in some very interesting sentences (it may even add imaginative elements to your writing that you did not anticipate). So let us look at what is available.

On the web:

Sign up for Google Docs (it’s like having Word on the web but not buying Office). Start a new document and then click on the Tools menu. From the dropdown menu select voice typing. A microphone symbol appears on the screen. Click on it, start speaking into your microphone and watch the words appear.

Alternatively, install the Google Chrome browser, then install the VoiceNote2 plugin.

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On your phone/tablet:

Voice recognition is built into Android tablets/phones as well as Apple devices. So if you feel a creative flurry coming on, why not get out your phone and speak your story into an email that you can send yourself for editing and polishing later?

If you are interested in other ways of using free technology tools to help you write or plan more plan more effectively then this round up of writing tools is a good place to begin.